Audition / Interview / Test Preparation

A lot of this is transcribed from trombonist Joseph Rodriguez's handout from a music festival I went to ages ago. It's timeless. We're assuming here you've committed already to the event.

Have a central space for all your information

Whatever it is, collate this information into some central space. A binder, a folder on your computer, a Google Doc, whatever, just make a central space for everything. Different events require different systems. Do you travel a lot? Make it effortless to integrate into that. Are you easily distracted? Maybe don't have it on your phone. Etc.

Get the metadata

To get started, we need to know what is expected of us. If it's an audition, we need to know the repertoire, the location of the audition, date and time, etc. For a job interview, we need to know the position, the job expectations, the information given to us.

In general, what did they provide to you about the event? Get this into a format that makes sense to you, even if that means just copying it down from one doc to another.

When you commit to a new event (audition, test, interview, etc.), you need to know where you are so you can get to where you are going. This falls a little bit into the PI AT PC Framework.

Gather any remaining materials you don't have that came up in this process. Maybe a recording of a certain piece of music you need to learn, or a book that you need to know about, or a list of techniques you need to demonstrate. You want everything that could help you within reach. Put this stuff into your space! You want this to be easy.

Assess your current state

Now that you have all the information and materials, it is time to make a plan. The key to learning is truly understanding the subject and then spaced repetition for eventual recall (if you have not checked out this course about learning from Dr. Barbara Oakley[1], I highly recommend it). We want to go through all the things we will need to know for this event and put them into a spreadsheet.

The spreadsheet will have one row for each thing you will be practicing (a song, a technique, a part of the interview, whatever) and a column for each element of that thing. If you were a musician, you may have a row for each excerpt or song and a column for each piece of information. These pieces of information that are likely common for every event are

Make a plan

This plan can be expanded or contracted however, but this is a good general rule.

Make a calendar

Make a calendar that lays out what you will be doing each day. For each day of practice, go to an envelope and practice from there. Day one is A, day two is B, day three is C, day four is A, etc. Make sure you have rest days, but also don't neglect the time spent practicing. If it's all physical, take time to do mental practice.

Interspersed between these days of practice should be the following:

When it gets close to the big day, merge your three envelopes into two envelopes by "dealing" envelope C into the A and B envelopes. We want to maximize our repetition now that less time is spent learning.

The days right before should be minimal. Resting, overview, drinking lots of water, exercise. The day before you should carbo load.

Do the thing

Execute!

References

  1. Learning how to learn

Last modified: 202409272108